Results 1 to 15 of 15
The Clothworkers Consort of Leeds perform music from 1910-1918, including music hall numbers, drawing-room ballads, musical comedy numbers and, perhaps surprisingly, music from English adaptations of German Operettas.
Daniel Gordon performs piano works by Leighton, Richardson, Hans Gál and Franz Reizenstein.
This dynamic ensemble returns to Leeds with a stimulating series of newly-commissioned pieces.
Simon Baines conducts the School of Music’s crack contemporary music ensemble performing two world premieres and Emiliano Gavito and Adam Starkie perform music for flute and clarinet from the second half of the 20th century.
Experimental works for an interactive multi-channel sound installation directed by Ewan Stefani.
Join for us for the now traditional afternoon tea concert as we return to the elegant surroundings of the “Palm Court” in the 1920s with the ideal afternoon treat.
The Ferdinand David Ensemble draws upon information about Elgar’s approach to performance and evidence of early recordings, in an attempt to recreate a style and sound world that would have been familiar to the composer.
As part of the celebration by the University of 100 years of public concerts Leeds Baroque joins the School of Music Chorus for a gala performance of Handel’s Israel in Egypt.
Fifth in a series of performances dedicated to exploring the extraordinary impact of the oboist Leon Goossens.
Saxsational perform a diverse jazz-inspired programme, including pieces by Stevie Wonder, Cole Porter, Dave Brubeck and Van Morrison.
The Friends of University Art and Music (Leeds) invite you to join them for a pre-Christmas concert of music for violin and piano.
The Ferdinand David Ensemble perform Mendelssohn's String Quintet in A major op. 18 and Brahms' String Quintet in G major op. 111
Peter Holman and Leeds Baroque continue their exploration of Purcell’s semi-operas in this performance of Dioclesian.
A diverse programme of wind and piano trios featuring works by Alan Rawsthorne and Madeleine Dring.
The (In)Visible Sound project investigates the use of projected video within an otherwise acousmatic live performance, where electroacoustic and instrumental musicians are hidden from view.