Results 701 to 715 of 715
The year 1612 saw the publication of Parthenia, the first printed collection of music for keyboard, in England. Ian's recital starts with pieces from this volume, and continues with music written every 100 years thereafter.
South Korean born Young-Choon Park will perform Mozart’s Sonata in B-flat major K.333 and Sonata in A major, KV.331 and Beethoven’s Sonata in D minor, op. 31 No.2 “Tempest” and Sonata in F minor, op.57 “Appassionata”,
Another opportunity to hear recitals by final year students from The School of Music’s BMus programme.
Peter Holman and Leeds Baroque continue their exploration of Purcell’s semi-operas in this performance of Dioclesian.
Underscore aim to generate projects which invite collaboration and artistic dialogue with composers, musicians and artists. They have produced a touring programme of classic and new pieces for tape.
Guitarist Samuel Moore presents a solo flamenco guitar recital showcasing the traditional music of southern Spain.
An opportunity to hear recitals by final year students from The School of Music’s BMus programme.
A day of song organised by Leeds Lieder+ including performances by soprano Sarah Leonard and mezzo soprano Adriana Festeu.
A diverse programme of wind and piano trios featuring works by Alan Rawsthorne and Madeleine Dring.
A late night performance of a breathtaking blend of traditional Irish music, hot jazz, bluegrass and baroque, coupled with evocative songs, striking new compositions for guitar and irish harp.
The leader of the Orchestra of Opera North and his long-time accompanist return with a Classical programme comprising Mozart's only work in E minor and Schubert's notoriously difficult Fantasy.
The horn section of the Orchestra of Opera North plays music concentrating on the romantic nature of the horn - the sound of which Schumann regarded as being 'the soul of the orchestra'.
Three notable exponents of early music perform music by three continental masters of the Baroque, Bach, Marais and Rameau.
From Henry the Eighth to Harry Potter, the prize winning recorder quartet Consort Audite Nova travel back and forth through time to present an exciting concert of music both old and new.
The (In)Visible Sound project investigates the use of projected video within an otherwise acousmatic live performance, where electroacoustic and instrumental musicians are hidden from view.